![]() “I actually heard it as, ‘ nobody’s nobody, everybody is somebody.’ And then they were like, ‘Oh s–t, OK.’ ” “I didn’t hear it that way at all,” says lead vocalist T.J. ![]() But Marvel mentioned a title he had thought about, “Nobody’s Nobody.” He wasn’t entirely certain where to take it, but he envisioned it as something sad. Since things weren’t really jelling, they could have easily called it a day. Meanwhile, the other three debated their options outdoors. “It was kind of creating this certain rhythm, and when you play a chord, then the delay creates a rhythmic offshoot of it.” “I had a delay pedal on it,” he remembers. Marvel and the Osbornes stepped outside for a break, and while they cleared their minds, Elizondo stayed indoors, where he stumbled onto that pulsing Wurlitzer sound, essentially a string of watery, bubbling 16th notes. 26, they were joined at Elizondo’s Phantom Studio in Gallatin, Tenn., by singer-songwriter Kendell Marvel (“Don’t Think I Can’t Love You,” “Right Where I Need To Be”), and they chased down several ideas that were OK, but not quite inspiring. Brothers Osborne had essentially recorded their next album, their first with producer Mike Elizondo (Keith Urban, twenty one pilots), but the duo decided to take an extra week to write new material in an attempt to beat the existing songs. ![]() The upbeat music and humble message of “Nobody’s Nobody” came together fairly organically last year, though it took a bit of effort to find the spark. “There’s still a big organic element to it. “Nobody’s Nobody” “fits in pop radio in the same way that Don Henley would have fit on pop radio,” says guitarist John Osborne. Chris Stapleton, Lainey Wilson, HARDY & More Record-Setters at 2023 ACM Awards
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